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The WWF, renowned global nature conservancy brand, greenwashes the ecological crimes of corporations currently destroying the last remaining rainforests and natural habitats on earth; and it accepts their money. This business model of the famous “eco” organization does more to harm nature than to protect it.

The WWF cannot refute the facts gathered by esteemed journalist and filmmaker Wilfried Huismann during his two-year research expedition to all corners of the green empire. A journalistic tour de force unearthing the grim secrets behind the warm and cuddly fa�ade of the WWF, Huismann’s expos� went straight to the German bestseller list. The book is now available in English, unabridged and updated.

Huismann also dug deep into the early history of the world’s most powerful nature conservancy organization and found several skeletons in the closet: the elite secret club known as “The 1001” and a private military commando unit deployed in Africa against big game poachers – and against black African liberation movements. In the name of environmental protection the WWF has participated in the displacement and cultural extinction of indigenous peoples the world over.

• Sales Rank: #1844495 in Books
• Published on: 2014-09-29
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .58" w x 6.00" l, .77 pounds
• Binding: Paperback
• 256 pages

About the Author
Born in 1951, Huismann studied history and social sciences. After a period as a development aid worker in Chile, he began his journalistic career in 1982 compiling investigative radio reports and authoring non-fiction books. Huismann went on to broaden his investigative scope to filmmaking, becoming one of Germany’s most respected and successful documentary filmmakers. In recent years he has added screenwriting to his activities, including scripting episodes of the German cult crime series ‘Tatort’. Huismann has been honored for his documentaries with three prestigious Grimme Awards in Germany as well as numerous international awards, including the World Medal at the New York Film Festival / BANFF Rockie Award / Certificato di merito silver, Prix Leonardo, Parma / Screening at Telluride Film Festival. Wilfried Huismann lives in Bremen, northern Germany.

Most helpful customer reviews

15 of 15 people found the following review helpful.
A spotlight on Corporate "non-profit" wildlife conservation
By Truman Goldendog
This is a well written, fact-filled examination of corporate "non-profit" wildlife conservation. Huismann has produced a readable expose of how protecting the giant panda, African elephant, and other creatures has become a source of Big Buccks, fame, and prestige for a relative few people. Extremely high salaries, business class air travel, and often ineffective results for the imperiled species. Everyone who donates their $20 every year to the World Wildlife Fund, Conservation International, and other big conservation groups should read this book.

12 of 12 people found the following review helpful.
hooking-up with firms like Monsanto, deserve being a trusted brand
By Stephen Corry
If you care about conservation, read this and be shocked. Since they were first invented, “conservation” zones have stolen tribal lands. It’s still going on, not only destroying tribal peoples, but preventing genuine conservation as well. Does WWF, controlled by industrialists, hooking-up with firms like Monsanto, deserve being a trusted brand? The conservation industry must change – but it won’t happen unless people wise up to the kind of stuff revealed in this book.

11 of 11 people found the following review helpful.
Panda Leaks is a must read if you love the planet
By Dennis Dougherty
For anyone interested in what is happening to our ancient forests and the animals that used to live in them... this is required reading. It is heart breaking to think the WWF would white wash the activities of greedy companies and to pander them off as sustainable is appalling. Panda Leaks is a must read if you love the planet.

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[Y798.Ebook] Download PDF Theory & Design of Loudspeaker Enclosures, by J. E. Benson

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• Sales Rank: #1464664 in Books
• Published on: 1996-09
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 6.00" w x .75" l,
• Binding: Paperback
• 244 pages

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21 of 21 people found the following review helpful.
An Excellent Book For Design Fundamentals
By Pete Bartels
Benson's book provides a rich background in the fundamental physics of loudspeaker design. However, this book is NOT for the hobbiest! To truly appreciate his writing, the reader should, by necessity, have a solid background in physics, mathematics, or engineering. Unlike the other oversimplified "how-to" cookbook speaker design books, this tome presents the operational theory such that a skilled designer can create a "from scratch design", instead of merely cutting and pasting an existing design. Other books should be subtitled "Loudspeaker Building", this books can truly be labeled as loudspeaker design!

27 of 29 people found the following review helpful.
technical treatment of speaker cabinet design.
By chall@iname.com
This book is an edited collection of technical papers of various aspects of cabinet design, which does not attempt to speak to the novice enclosure builder. This is not a "how to" book, but rather a step by step documentation of the math behind cabinet design. Most of the book is algebraic expressions relating design parameters. The reader is expected to already understand mathematical fundamentals of several common speaker designs, and he who does not would be better off starting with a more fundamental approach. A "rating" of this book is innapropriate, because it is a technical report. The 5 star rating is because reviews are not accepted without ratings, and far be it from me to find any fault with these 200+ pages of math.

23 of 28 people found the following review helpful.
A mathematical text, not for home loudspeaker builders.
By Mike Guillory
Based on the blurb advertising this book, I bought it to help me design and build my home loudspeakers. It is NOT this type of book. Full of mathematics it is perfect for the experts but will not help the common hobbyist like me to decide how to size and build speaker enclosures.

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[G453.Ebook] Download Economics New Ways of Thinking (Annotated Teacher's Edition), by Roger Arnold

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Book by Roger Arnold

• Sales Rank: #1348458 in Books
• Brand: Brand: EMCPublishing
• Published on: 2007
• Number of items: 1
• Binding: Hardcover
• 536 pages

Features

• ISBN13: 9780821934029
• Condition: Used - Very Good
• Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Most helpful customer reviews

2 of 3 people found the following review helpful.
Excellent Economics Curriculum
By Maddiecat
As a tutor of home school high school students I am always comparing curriculum for various subjects. When I needed an economics curriculum I ordered and compared numerous texts before deciding on this one. Although not a typical home school text, it is so well written that it is a natural choice for self-directed study. The teacher's edition provides ready answers for review sections, as well as a very good guide for incorporating ancillary materials available for use with this title into your study. I highly recommend it.

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[B615.Ebook] Download Ebook Command and Control in Military Crisis: Devious Decisions (Military History and Policy), by Harald Hoiback

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Harald Hoiback's study focuses upon two events - the 1918 Allied meeting at Doullens when the Allies ceded control to an officer, and the Norwegian decision in 1940 to leave control in the hands of a colonel which led to the Nazi invasion.

• Sales Rank: #5583579 in Books
• Brand: Brand: Routledge
• Published on: 2003-04-03
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .37" w x 6.14" l, .53 pounds
• Binding: Paperback
• 146 pages

Features

• Used Book in Good Condition

About the Author
Harald Hoiback is an officer in the Royal Norwegian Air Force, trained as a fighter controller in addition to his military record he has also studied philosphy at the University of Oslo and Military History at the University of Glasgow.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Outstanding Book
By E.E.
From the persective of a U.S. Army Officer, I highly recommend this book. Mr. Hoiback does an excellent job, in a very concise manner, to describe the linkage between Authority, Intent, and Dissemination of command. He then uses two case studies that show the relationships in the real world.

I really appriciated the second case study showing the opening days of WWII in Norway. The case study told the story of COL Erickson who took the initiative to sink a German Cruiser amid the cowardice of the politicians and the inadequate preparations to maintain Norway's neutrality; a story I never read before this book. I would recommend reading the second case study before the first case study discussing the GEN Haig in the First World War. By reading the Second Case study first, I believe that case study one will be easier to follow.

Eric

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[S899.Ebook] Fee Download Artworld Prestige: Arguing Cultural Value, by Timothy Van Laar, Leonard Diepeveen

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Why does the artworld often privilege one cultural form over another? Why does it grant more attention to reviews in, say, Artforum over ARTnews? And how can an artist once hailed as visionary be dismissed as derivative just a few years later? Exploring the ever-shifting estimations of value that make up the confluence of artists, critics, patrons, and gallery owners known as the artworld, Timothy van Laar and Leonard Diepeveen argue that prestige, a matter of socially constructed deference and conferral, plays an indispensable role in the attention and reception given to modern and contemporary art.

After an initial chapter that develops a theory of prestige and the poignancy of its loss, the book looks at how arguments of prestige function in systems of representation, various media, and art's relationship to affect. It considers twentieth-century artists who moved not away from, but toward figuration; looks at what is at stake in the recurrent argument about the death of painting; examines the decline and an apparent return of sensual pleasure as a central attribute of visual art; and concludes with a look at the peculiar function of prestige in outsider art.

Illustrated with artwork by David Park, Jorge Pardo, Gerhard Richter, Anish Kapoor, Cecily Brown, Howard Finster, and others, Artworld Prestige provides an engaging guide to the changes, debates, and shifts that animate aesthetic judgments.

• Sales Rank: #1589648 in Books
• Published on: 2013-01-09
• Original language: English
• Number of items: 1
• Dimensions: 5.80" h x .80" w x 8.40" l, .85 pounds
• Binding: Hardcover
• 224 pages

Review

"In clear, lively prose, the authors have crafted an original and compelling field guide to the higher realms of contemporary art criticism and the way it confers or denies the halos of prestige. The vantage point they take enables them to illuminate some startling values, dogmas, and blind spots that lie hidden within familiar art world discourse."--Carol Duncan, author of Civilizing Rituals: Inside Public Art Museums

"In a series of nicely described case studies, the authors show how understanding prestige involves analyzing the most obdurate terms of modernism and postmodernism: self-awareness, relevance, theory, difficulty, irony, pleasure, seriousness, professionalism, the instability of meaning, and the refusal of sense. This will be a very helpful book for anyone struggling to understand how the artworld produces its unpredictable judgments."--James Elkins, author of What Painting Is

About the Author

Timothy Van Laar is Professor of Art at the University of Illinois at Urbana-Champaign. He is the coauthor of Active Sights and Art with a Difference.

Leonard Diepeveen is Professor of English at Dalhousie University. He is author of Changing Voices: The Modern Quoting Poem and The Difficulties of Modernism.

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3 of 3 people found the following review helpful.
A major step forward in the institutional theory of art but stops short of the finish line
By John Armstrong
In this short but meaty book the authors make what I think is a real breakthrough in our understanding of value in art. They embrace the so-called institutional theory of art put forth most notably by philosophers George Dickie and Arthur Danto and take it from the world of axioms and thought experiments into the real world, which is to say the real NY-centered art world of the last fifty years. (They have little if any interest in the broader world in which the art world exists.)

They zero in on a central principle of the institutional theory of art, which is that the status of a work of art is not intrinsic to the work but is conferred by the artworld to which the work is presented. They look at how this conferral works - who does it, when, and how. They stress that the process is collaborative (more exactly negotiative, if there is such a word), and that it involves advocacy for and against the work that ends in some form of consensus. They allow that the consensus may not be complete, that it may involve ambivalence, and, most importantly, that it may be reversed at some later date, so that a work may lose the status it was originally granted, or gain status that was originally withheld from it.

They could have called the status conferred on a work (and occasionally withdrawn from it) simply value, but then they would have had to explain which of the various meanings of the word they did and did not intend in their usage of it. Instead, they choose a different word, prestige. Prestige is a primitive: we have an instinctive sense for it. It can be rationalized but doesn't have to be. The one intrinsic property it has is that it is desirable. And it's social - it's not merely something we want to have, it's something we want others to know we have. (A nice thing about prestige is that it's transitive. You can have prestige by having it conferred directly on you, you can have it by owning a work of art by an artist that has prestige, you can have it by knowing people who have prestige, and so on.) The term prestige as used by the authors names the exact thing in the artworld that everybody is aware of but nobody has found a really satisfactory way of talking about.

To my mind the model of negotiated and periodically renegotiated value, grounded in desire and social dynamics, is the real breakthrough of the book. The first chapter, in which the authors lay out the model, is compelling, even exciting. But their real interest is not in the core model but rather in the kind of intellectual discourse that it engenders. (This is actually called out in the full title of the book: Artworld Prestige: Arguing Cultural Value.) Their real interest is in the rhetoric - the words, the tropes, the argumentational tactics - employed by those who want to confer or withhold value/prestige in a given situation. The orientation of the book is thus primarily linguistic rather than sociological. (Or economic; they rarely talk about money or the "market".)

In the first chapter, as well as the following four (the last, though called a conclusion, introduces new material and is really a chapter in its own right), they consider a number of specific events which have caused people to argue about art.

The main large scale developments they look at include the end of Abstract Expressionism, the return (or returns) to figurative painting, the rise of stylistic pluralism, assaults on painting by Conceptualists and their kin (united under the cry of "painting is dead"), the rise of feminism and what some would call political correctness in art, attempts to bring pleasure (including beauty and "the aesthetic") back into art, and coming to terms with outsider art.

Examples of the specific events they examine are Greenberg's failed attempt to anoint Jules Olitski as "the best painter alive", Frank Gallo's fall from grace due to the belatedly perceived sexist nature of his work, the consternation caused by Phillip Guston's dramatic switch from abstract to figurative painting, Gerhard Richter's sustained parallel efforts in abstract and figurative styles, the difficulty of establishing a permanent place for American and German Neo-Expressionists, the eternally precarious status of David Hockney, and more (though not much for the considerations of pleasure and outsider art).

The authors present the specific incidents not merely as things that happened but as things that people pronounced on as they happened, whether expressing approval or disapproval. They quote contemporary writings (mostly formal writings but also some interviews) on both sides, and note the ways the participants argue their positions.

I am honestly not sure how much new there is in their analyses. A lot of it is standard rhetoric. Some points that I gleaned are:

* The standard term of praise for art is "serious". It indicates the artist knows what they are doing, that they have a purpose, that the work they are making serves that purpose. Importantly, seriousness is not tied to any particular theory or grand narrative of art.

* The artworld has an elite that you want to connect yourself to. The key characteristic of that elite is professionalism, meaning educated, possessed of specific knowledge (especially of art theory and art history), intelligent, and able to assess seriousness.

* If you are arguing a majority (status quo) position, be calm and hold to the high road. If you are arguing a minority (non-status quo) position, go for a dramatic strike that reduces your opponents' position to nothing (as "painting is dead!")

* Avoid presenting the art you are promoting as being purely what it is. Represent it as being "about" something, or "quoting" something, or, at the very least, as being ironic.

I'm caricaturing to some degree, but these really are the kinds of things they talk about.

This is a good book, definitely worth reading. I think it could have been a great book, if only the authors had paid more attention to the full range of social behaviors that go into the negotiation of prestige and not focused so narrowly on purely verbal ones (which are seen as constituting "the discourse" but I suspect are often no more than after the fact rationalizations of things worked out in much more down to earth ways).

I give it five stars for the first chapter and 3 1/2 stars for the rest, and 4 stars for the book as a whole.

2 of 2 people found the following review helpful.
Most enlightening analysis of the perplexing categories delineating the Western Art World
By dominique de Gery
This frank, direct analysis of the current attitudes in the western, American dominated art world is not for the faint of heart. It's aim is anatomical rather than judgmental, which can, at times, feel brutal. The authors have done a thorough job of identifying and describing the discourse and undercurrents of the art world's pluralistic structure, by describing three separate but unequal parts: Professionalism, Amateurism, and finally, almost as a postscript, Outsider art.
"Artworld Prestige" addresses the issue of why the current erudite, art world elite have decreed not only painting but perhaps all Art as "dead". It covers the theoretical progression from the enlightenment, Duchamp to Sol Lewitt, Damien Hirst and Murakami-Takashi, comparing them to artist like David Hockney, who although popular and certainly respected in the Art World, still has a whiff of amateurism about his work.
Timothy Van Laar and Leonard Diepeveen refer to an exhaustive number of important scholars, critics and art theorist, to analyse the Artworld's movement away from beauty, pleasure and an appreciation for the technical or material aspects towards a reverence for self-referential theorizing. In its relatively few pages, this book has managed to include an impressive number of need-to-know contemporary players.
Ultimately, however, I was left with the rather depressing conclusion that the art world mimicked the contemporary social/economic American system too closely for comfort. While it is a demonstrable truth that prestige is conferred democratically by the many upon the few and rare, the mechanisms here describe an elitist stratification. Although the artistic dialogue has progressed, art is still very much tied to the material world by the nature of its patronage.
This book has a great deal to offer students, collectors, art enthusiast and scholars, whether through its thoughtful and comprehensive definitions, or its list of sources and examples.

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The market-leading text for E-commerce.

This comprehensive, market-leading text emphasizes the three major driving forces behind E-commerce–technology change, business development, and social issues–to provide a coherent conceptual framework for understanding the field.

The seventh edition–including all of the data, figures, and tables in the book–has been updated with the latest marketing and business intelligence available from eMarketer, Pew Internet & American Life Project, Forrester Research, Jupiter Research, Gartner, and other industry sources.

• Sales Rank: #1191958 in Books
• Published on: 2010-11-18
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 1.40" w x 8.20" l, 3.55 pounds
• Binding: Hardcover
• 912 pages

Most helpful customer reviews

5 of 6 people found the following review helpful.
Not Bad
By M. Landron
I am using this book as part of a course the comprises Virgina Tech's masters in information technology, specifically an ecommerce course. I balked at the cost of this book initially questioning whether I would obtain as much value. First, I have read chapters 1 through 5 and I have only noted one obvious editorial mistake, a duplicate sentence. Otherwise, I have read technically oriented books that were published under longer time frames that reflected many more issues. When one notes that the book receives a refresh each year, I think even the most assuming English major can overlook a few mistakes here and there. That said, I really enjoy this book because it is relevant and comprehensive. I love the fact that I am reading about ecommerce in light of some of the most recent and significant events peppered with some of the interesting and insightful history that led the industry to its current position. Sure, some of the information you and I already know, but I am still approaching this read with an open mind and, as a result, I've learned quite a bit so far. A plus is that the case studies and articles discuss relevant issues that the industry and its current giants face presently. That said, I am dedicated to reading it cover to cover and I am keeping the book on my bookshelf for a long time. One reason I don't mind that this book isn't on my Kindle is that I can only imagine my 3 and 4 year old boys reading through it in 15 years or so only to ridicule a few of the technologies that to them will seem ridiculous or antiquated. Can't wait to field the question..."Dad, what was Facebook?". :)

2 of 2 people found the following review helpful.
Expensive
By Zombie
Not sure if the content really caters to the new age on this subject. the concepts and tech may be a little obsolete. Some universities continue to ask students to refer to this book as the ultimate guide for the subject.

5 of 7 people found the following review helpful.
Terrible Tech Understanding and Mediocre Business
By The Great Khen
Well... what can I say. I've never had a tech textbook before that is actually WRONG in multiple areas. I don't mean just a difference of opinion, but factually flat out wrong.

There's also several areas where their grasp of the concepts they claim to teach is tenuous at best or presented in the wrong light. Many of their concepts are partially updated from their outdated concepts and information. Some of the business concepts of the book are good, but the overall presentation is just broken and the technology is usually presented in a terribly inaccurate manner.

I know this is a textbook so you likely won't have a choice in buying it, but a word to professors, this is a waste of your student's money. Just don't do it.

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[J641.Ebook] Ebook Download The Vortex: Where the Law of Attraction Assembles All Cooperative Relationships, by Esther Hicks, Jerry Hicks

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Includes a BONUS CD on the Law of Attraction!

      This Leading Edge work by Esther and Jerry Hicks, who present The Teachings of Abraham, will help you understand every relationship you are currently involved in as well as every relationship you have ever experienced.      This book uncovers a myriad of false premises that are at the heart of every uncomfortable relationship issue, and guides you to a clear understanding of the powerful creative Vortex that has already assembled the relationships that you have desired. Abraham will show you how to enter that Vortex, where you will rendezvous with everything and everyone you have been looking for.      Abraham says: “It is our desire to help you to solve the mystery of those seemingly impossible relationships; to sort out the details of joyously sharing your planet with billions of others; to rediscover the beauty of your differences; and, most of all, to reestablish the most important relationship of all: your relationship with the Eternal, Non-Physical Source that is really you. “It is our desire that you experience an enhanced appreciation of your planet; your body; your family; your friends; your enemies; your government; your systems; your food; your finances; your animals; your work and your play; your purpose; your Source; your Soul; your past, your future, and your present. . . ."

• Sales Rank: #8580 in Books
• Brand: Unknown
• Published on: 2009-09-01
• Released on: 2009-08-12
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x 6.25" w x 1.00" l, 1.00 pounds
• Binding: Paperback
• 238 pages

Features

• The Vortex: Where the Law of Attraction Assembles All Cooperative Relationships

Review
A publishing sensation Daily Express Esther and Jerry Hicks, with the help of commendations from Oprah Winfrey, have sold almost 1.5 million copies of their last three books. The Independent

About the Author

New York Times best-selling authors Esther and Jerry Hicks produce the Leading Edge Abraham-Hicks teachings on the Art of Allowing our natural Well-Being to come forth. Open workshops held in up to 60 cities per year inspire a regular flow of Abraham books, CDs, and DVDs.

Most helpful customer reviews

11 of 11 people found the following review helpful.
Great Book!! Get it ASAP!!
By JMR
This book is mind blowing!! What can I say... buy it, read it, and read it again!! (As soon as possible if you haven't read it.)

This book and most of the rest of Abraham-Hicks information will lead you to the promise land..the land where you can create whatever life you want. There is very good information in here concerning all parts of life from children to adult relationships. Mine came with a CD that also hada transcript of a live workshop.

The contents of book are like this:
Your vortex (Learning to Attract Joyous Co-creators)
Mating: The perfect mate, getting one, being one, attracting one.)
Sexuality and Sensuality and opinions of others
Parenting (Creating Positive parent child relationships)
Self-appreciation (The magic key to your vortex)
and the last part is a transcript of a workshop which is also on CD included with the book)

I have seen some weird stuff in my life since reading this book like just this morning, information I need showed up on my phone as a picture. I was searching Google images for a picture of codes for a certain remote control last night but I couldn't find one that had 4 digits in the code. The pictures all showed only 3 codes. So I cleared my phone and went to bed. Then this morning it was there. It isn't in my photos on my phone or any other folder with pictures and it was not yet uploaded to Google drive so I don't know where it came from. What does this have to do with this book? Just that, we absorb information when we read a book and perhaps that had an effect and I may have unconsciously created what we needed... I don't know. I just know that this book gives you the keys to your own kingdom by explaining what you need to do to get into the Vortex, which is where you create from.

Definitely recommended reading!!

9 of 9 people found the following review helpful.
Excellent!
By Hathor
This book is broken down in a very simple way and it's very easy to grasp. I never thought I'd find peace at my workplace until I learned how to get into The Vortex! I realized that I was the one creating all the turmoil that invaded my being when involving myself with complicated co-workers. By understanding the Law of Attraction and how we get what we get, I was able to become an 'Allower' and ALL turned out well for me at my job. The Vortex helped me find a place of centeredness & peace in my environment &I will always be grateful for Abraham! #TheLawOfAttraction #AbrahamHicks

4 of 4 people found the following review helpful.
this would be a perfect next experience
By Moritanjcol
For those who have got engaged with The law of attraction, this would be a perfect next experience, it has helped me with clarifying some of the concepts, allowing me to bring them closer to my understanding and intuitive learning. It is great!

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